Footloose          

John Thomas – Footloose

Bob Hardinge – Titanic  

Arron Smaller – Forever Plaid

Lori Koenen – Forever Plaid

Doug Feggans - Footloose

Karin Rider - Titanic

Dan Vasey - Forever Plaid

Greg Salisbury – Forever Plaid

Joanne Finlay – Forever Plaid

Kristina Testa, Mandy Meisner – Titanic

Linda Amos – Gypsy

David O’Hearn – Titanic

Maria Moore – Titanic

Matt Willis as Willard – Footloose

Amanda Dwyer-Scarlett as Miss Flannery – Thoroughly Modern Millie

David Grimason as Thomas Andrews – Titanic

Bruce Dickson as Captain Smith – Titanic

Elizabeth Bell as Vi – Footloose

David O’Hearn as Frankie – Forever Plaid

Michael Sumbler as Jinx – Forever Plaid

Dave Martin as Sparky – Forever Plaid

Dan Berthe as Smudge – Forever Plaid

Maria De Palma as Rose – Gypsy

Musical Production

Director

Musical Director

Choreographer

Stage Manager

Set Design

Set Dressing

Lighting Design

Sound Design

Costume Design

Make-Up/Hair Design

Props Design

Programme Design

Chorus

Male Actor in a Minor Role

Female Actor in a Minor Role

Supporting Male Actor

 

Supporting Female Actor

Leading Male Actor

 

 

 

Leading Female Actor 

Producers Awards of Recognition:

M.T.M. Board of Directors Award: 

Robert MacFarlane

Subscribers Choice Award – Favourite Show: 

Titanic — City Centre Musical Productions

Adjudicator Awards:

FOREVER PLAID


1. Katie Lai, Gillian Rodrigue, Ginny Foster, Samantha Limberger

             for “adding so much to the overall production, musically, visually and choreographically as The Doo-Wop Girls"


2. Triz Remedios

             for "the musical integrity of the Boy's Groups which could have so easily become caricatured"

 

THOROUGHLY MODERN MILLIE


1. Susan Pringle

             and her exceptional crew for “the wonderful transitions from scene to scene, smooth, quiet and timely"


2.
Jennifer Peace

             for "determining the correct balance between orchestra and on-stage vocal needs"


3.
Robin Dalgleish

             for "being such a special part of the preparation and realization of this and so many other shows in The Encore Series"


4.
Heather Taws

             for her simplicity, honesty and lovely voice as  "Dorothy Brown"

TITANIC

1. Brian Toogood

             who kept the Titanic on an even keel even though he understood the end result as “Henry Etches, First Class Steward”.

 

2. Ross Hanna

             who made us weep with his rendition of Autumn, a double meaning for the end result of the Titanic as “Bandleader Wallace Hartley”.

 

3. Jonathan Drover & Mark Meisner

             as the Bell-boys and Passengers, stoic to the end.


4. Karin Rider

             for the design of the life-vests which turned the wearers into instant ghosts in those last moments of Titanic life.

FOOTLOOSE


1. Julie Van Duzen

             for her directed scene transitions and her crew in a production which one would die on the boards without scene changes virtually              unnoticed by the audience.                                                                                                                                

 

2. Matthew Yipchuck & Samantha Taylor

             for Spot Operators that were always on "spot".


3. Cat Heaven

             for such wonderful attention to decor detail in the multitude of setting required for this production.


4. Ryan Gauvin

             who brought a charismatic touch to the stage to give us an understanding of his underlying angst as “Ren McCormick”.

GYPSY

1. Kris Light

             for "a most moving, gracious and emotional moment during the Tulsa / Louise dance duet"


2. Adriana Mauro, Gillian Rodrigue, Ginny Metcalfe

             "The Zanzibar Trio" for "nerve and verve in moving the story forward"


3.
Katie Prestage, Olivia Dreschel, Nigel Navgiri, Lorenzo Dimaano, Bailey Fenton

             for "the original transition children who never learned any new choreography but were so important to our understanding of Rose’s              drive.

 

4. Roslyn Fortier

             for "creating a multitude of period costumes to reflect on the changing times and economies of Rose's world"